Tucson boy Andrew Hayes creates industrial sculptures from books. His work, reminiscent of minimalist pieces from the 1960s and 1970s, uses seemingly simple manipulations to create beautiful compositions employing the use of color blocking and the glorification of materiality.
Drawing inspiration from the American desert landscape in his earlier works, Hayes created the foundation of his style through fabricating steel. After his studies, Hayes worked as an industrial welder. While bouncing between jobs, he found himself as a Core Fellow at the Penland School of Crafts in the Blue Ridge Mountains of Bakersville, North Carolina. During this time, Hayes began to explore with various materials and forms, eventually finding his way to the book. He states,
“The book is a seductive object to hold and smell and run your fingers through. I am drawn to books for many reasons; however, the content of the book does not enter my work. The pages allow me to achieve a form, surface, and texture that are appealing to me. The book as an object is full of fact and story. I take my sensory appreciation for the book as a material and employ the use of metal to create a new form, and hopefully a new story.”
Sticking true to the celebration of form and material, Hayes work is truly striking and exudes a sort of power associated with fabrication. However, the introduction of the book allows a softness that is not only a fun play on an aesthetic staple, but also hints at a element of elusiveness — as he does not use the contents of the books — his work invites an aspect of imagination for the viewer. (via iGNANT)
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